Music and Computers
by Phil Burk, et al.
Publisher: Columbia University 2011
Number of pages: 188
This book is intended as a user-friendly introduction to music and computers for college and upper-division secondary students. By organizing a presentation around interactive visual and sonic examples, we hope to provide a resource and guide for those just beginning to look at the field of computer music, as well as for more advanced computer composers who might benefit from a fresh insight.
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by Ted Painter, Andreas Spanias - Arizona State University
This paper reviews algorithms for perceptually transparent coding of CD-quality digital audio. The authors concentrate on architectures of the techniques that utilize psychoacoustic models to exploit characteristics of the human receiver.
by Evan X. Merz
The book introduces audio programming to Processing programmers through the Beads library. It covers topics such as synthesis, sampling and general sound-mangling in such a way that is appropriate for beginners, or more experienced programmers.
by David Michael Cottle - University of California, Santa Barbara
This is a compilation of course materials in Music Technology, Digital Synthesis, and Computer Assisted Composition. It blends electro-acoustic composition exercises with SC and OOP topics. The goal is getting actual sounds as quickly as possible.
by Johannes Kreidler - Wolke Verlagsges. Mbh
The book is designed for self-study, principally for composers. It begins with explanations of basic programming and acoustic principles then gradually builds up to the most advanced electronic music processing techniques.