Historical Painting Techniques, Materials, and Studio Practice
by Arie Wallert, Erma Hermens, Marja F. J. Peck (eds)
Publisher: Oxford University Press 1995
Number of pages: 241
Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas.
Home page url
Download or read it online for free here:
by W. W. Collins
Probably the most interesting moments of the trip abroad by the architectural students are those spent in sketching bits of interest in water color. Nothing is so helpful, so reminiscent as these same notes of color when viewed in alter years.
by Estelle M. Hurll - The Riverside Press
We are dealing here with a master whose import is always serious, and whose artistic individuality is strongly impressed on all his works, either in sculpture or painting. Our selections represent his best work in both arts.
by Maurice Tuchman - Solomon R. Guggenheim Foundation
An attempt to illustrate Vincent Van Gogh's influence on subsequent art movements. In lieu of discussing which artists exerted an influence on Van Gogh, Tuchman discusses how Van Gogh was a model for the modern Expressionists of the 21st century.
by Arthur Upham Pope - Harvard university press
This pamphlet has been written primarily for the needs of the students in the courses in drawing and painting in Harvard University and Radcliffe College; but as an elementary statement of the theory of tone relations, it may be of use to others.