by Mark Andrew Cook
Publisher: lardbucket.org 2012
Number of pages: 222
This text is primarily designed to serve as a textbook for a college-level music theory fundamentals course. However, it also has the flexibility to serve equally well for a typical core curriculum college-level Music Theory I or Harmony I course.
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by A. A. Pattou - G.P. Putnam
The author writes for all those wishing to be guided by clear common sense rules and precepts, in the discovery of an easy and natural method of singing. He examines the voice in its cause, which is breath, and in its effect, which is tone.
by Douglas Cohen - CUNY Brooklyn College
The aim is to introduce you to works representative of a variety of music traditions, and to enable you to speak and write about the features of the music you study, employing vocabulary and concepts of melody, rhythm, and form used by musicians.
by Josef Hofmann - Doubleday, Page and Company
This little book presents a general view of artistic piano-playing and offers to young students the results of such observations as I have made in the years of my own studies, as well as of the experiences which my public activity has brought me.
by Frederick James Crowest - Frederick Warne & Co.
There is no subject, perhaps, on which opinions are so divided, as the proper method of training and using the voice. A careful perusal of this book's contents should clear away many misconceptions, and place the student on the right road.