American Popular Music
by Larry Starr, Christopher Waterman
Publisher: Oxford University Press 2006
Number of pages: 100
American popular music is a kaleidoscopic mélange of styles and dreams. Its vibrancy reflects the mating of cultural diversity to artistic and creative freedom. The stories in this book illustrate how Americans, borrowing from diverse musical traditions, have contributed to humanity’s universal language.
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by John Gillespie - Dover Publications
John Gillespie has written an invaluable resource for anyone interested in solo keyboard music. There are brief biographies of the most important composers, and the author's recommendations of each composer's best solo keyboard works.
by James Boyle, Jennifer Jenkins, Keith Aoki - Duke University
This comic lays out 2000 years of musical history. A neglected part of musical history. Again and again there have been attempts to police music; to restrict borrowing and cultural cross-fertilization. But music builds on itself.
by W. J. Baltzell - Theodore Presser co
Emphasis is laid on the work of the men who developed music, on the influences which shaped their careers and the permanent value of their contributions to music. Reference is made to representative compositions by classical and modern composers ...
by Charles Burney - Harcourt, Brace and Co
Burney's General History of Music is not a period History it is a General History, and it is an intensely personal one. The age of Burney was an age of frank speaking, and he often uses so-called savage and harsh strictures.