An Introduction to Shakespeare
by Durham, MacCracken, Pierce
Publisher: The MacMillan Company 1925
Number of pages: 215
The advances made in Shakespearean scholarship within the last half-dozen years seem to justify the writing of another manual for school and college use. This little volume aims to present what may be necessary for the majority of classes, as a background upon which may be begun the study and reading of the plays. Critical comment on individual plays has been added, in the hope that it may stimulate interest in other plays than those assigned for study.
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by Lene M. Johannessen - Dartmouth College Press
Johannessen's subject here is the almost mystical American belief in the promise and potential of the individual, that can loosely be characterized as a fundamental and unwavering faith in the secular sanctity of the American project of modernity.
by Walter Lionel George - W. Collins Sons & Co
The book expresses the fluctuating feelings aroused in the author by the modern novel and its treatment at the hands of the public. The chapters on 'Falstaff,' 'The Esperanto of Art,' and 'The Twilight of Genius' have been included.
by Arthur Ransome - Project Gutenberg
He saw art as self-expression and life as self-development. He felt that his life was material on which to practise his powers of creation, and handled it and brooded over it like a sculptor planning to make a dancing figure out of a pellet of clay.
by Eugene Stelzig - Milne Library
This discussion - written almost four decades ago - of the deep affinities between Dylan's song poetry and the Romantics, especially William Blake, is one of the early 'scholarly' as opposed to popular appreciations of Dylan's art ...