Modern painting, its tendency and meaning
by S. S. Van Dine
Publisher: Dodd, Mead 1922
Number of pages: 408
This book inquires first into the function and psychology of all great art, and endeavours to define those elements which make for genuine worth in painting. Next it attempts to explain both the basic and superficial differences between ancient and modern art and to point out, as minutely as space will permit, the superiority of the new methods over the old.
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by Walter Crane - G. Bell & Sons, Ltd.
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject.
by Agnes Ethel Conway, Sir Martin Conway - A. & C. Black
This is an illustrated book of Fine Art for children. It is full of works of famous painters: the Van Eycks, Sandro Botticelli, Raphael, Giorgione, Tintoret, Holbein, Rembrandt, Van Dyck, Velasquez, Reynolds, Turner, etc.
by Arie Wallert, Erma Hermens, Marja F. J. Peck (eds) - Oxford University Press
Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, etc.
by Nanae Momiyama - Japan Society
Sumi-e, or ink and brush painting, must be discussed in terms of the religion and philosophy it expresses. Sumi-e was the art of Zen priests, it is thus an expression of Zen Buddhism, a religion of selfdiscipline, concentration, and contemplation.