Costume Design and Illustration
by Ethel Traphagen
Publisher: John Wiley & sons 1918
Number of pages: 230
The designer and the illustrator should both have a knowledge and a keen appreciation of the beautiful lines of the human form, to know what lines are important to emphasize and what to conceal in a figure which may not be perfect. Drawing from the nude is of great advantage to the student, and no serious costume illustrator should be without this valuable training.
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by Richard Martin, Harold Koda - Metropolitan Museum of Art
This is a portrait album of a sampling of Christian Dior's masterpieces shown in the 1996 New York Metropolitain Museum of Art's retrospective. Among the illustrations are extravagant evening wear, chic accessories, and details of Dior tailoring.
by Katell Le Bourhis (ed.) - The Metropolitan Museum of Art
The book goes into detail on the fashions of this period and deals with other related subjects such as Napoleons efforts to revitalize the silk and lace industries of France to be used in his court and the costumes of his armies...
by Dion Clayton Calthrop - Adam & Charles Black
The world is a complicated picture of people dressing and undressing. The history of the world is composed of the chat of a little band of tailors seated cross-legged on their boards; they gossip across the centuries, feeling very busy and important.
by Emily Burbank - Dodd, Mead and Co.
This illustrated book is a brief guide for the woman who would understand her own type, make the most of it, and know how simple a matter it is to be decorative if she will but master the few rules underlying all successful dressing.