Perceptual Coding of Digital Audio
by Ted Painter, Andreas Spanias
Publisher: Arizona State University 1999
Number of pages: 66
This paper reviews algorithms for perceptually transparent coding of CD-quality digital audio, including both research and standardization activities. The authors concentrate on architectures and applications of the techniques that utilize psychoacoustic models to exploit efficiently masking characteristics of the human receiver.
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by Miller Puckette - World Scientific Publishing Company
This book develops the theory and the practice of synthesizing music using electronic techniques. The ideal reader is anyone who likes electronic music and wants to make electronic music from the ground up: oscillator, sampling, FM, filtering.
by Vesa Valimaki - MDPI AG
Audio signal processing is a highly active research field where digital signal processing theory meets human sound perception and real-time programming requirements. It has a wide range of applications in computers, gaming, music technology, etc.
by David Michael Cottle - University of California, Santa Barbara
This is a compilation of course materials in Music Technology, Digital Synthesis, and Computer Assisted Composition. It blends electro-acoustic composition exercises with SC and OOP topics. The goal is getting actual sounds as quickly as possible.
Computer music is the applications of computing technology in music composition. It includes the theory and application of new and existing technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design...