by Lawrence Alloway
Publisher: Solomon R. Guggenheim Foundation 1964
Number of pages: 75
This exhibition is conceived with a minimum of restrictive scaffolding. The term 'drawing' is applied loosely; it is meant to connote a medium of great immediacy conducive to direct materialization of a concept, rather than implying the elimination of color or an insistence upon other technical restrictions.
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by Dorothy Furniss - Bridgman Publishers
We must think with the brush and the pencil; we must think first and then draw round our 'think'. I hope that this book may help you to arrange your thoughts. It is but a helping hand on the broad highway that leads to the great world of art.
by Charles Lewis Hind - G. Newnes
A quick study into the methods and style of Da Vinci's drawings and art. Leonardo found in drawing the most stimulating way of self-expression. The use of pen and crayon came to him as naturally as the monologue to an eager and egoistic talker.
by Harold Speed - Seeley, Service & Co.
Classic approach to the dynamics of drawing by brilliant teacher with insights and practical advice on line drawing, mass drawing, visual memory, materials and much more. 93 plates and diagrams reinforce Speed's clear presentation.
by Walter Crane - G. Bell & Sons, Ltd.
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject.