Engraving: Its Origin, Processes, and History
by Henri Delaborde
Publisher: Cassel & Co. 1886
Number of pages: 380
Engraving, in the strict sense of the word, is no invention due to modern civilization. But many centuries elapsed before man acquired the art of multiplying printed copies from a single original, to which art the name of engraving has been extended, so that nowadays the word signifies the operation of producing a print.
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by David Ramsay Hay - W. Blackwood and sons
From the table of contents: Nature of the science of aesthetics explained; Plane figures the bases of all forms; The isosceles triangle; Universal application of the composite ellipse in the arts of ornamental design; and more.
by Jane Adlin - Metropolitan Museum of Art
The collection shows the extraordinary breadth of styles postwar artists have been able to create. The experimentation of the early pottery-making 'rule breakers' of the era gave rise to one of the most creative periods in the history of ceramics.
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The Editor has selected a number of representative modern examples of design by British and Continental workers, which bear testimony to the great advance that has recently been made in the rendering of the jeweller's and fan-maker's arts.