by S. L. Bensusan
Publisher: T.C. & E.C. Jack 1909
Number of pages: 106
Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of color, would exercise a profound influence not only on painters of the Italian Renaissance, but on future generations of Western art.
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by S. L. Bensusan - T. C. & E. C. Jack
A serious artist who added to splendid natural gifts a steadfastness of purpose, a determination to do his best, a love of Andalusia, and a devotion to the religion in which he was brought up that must compel the admiration of thinking men.
by David H. Rothman - Prima Communications
The Net is revolutionizing the way millions of people work, learn, fall in love, create art, do business, make friends, and entertain themselves. Rothman explores this new electronic meeting place, as well as the controversy that threatens it ...
by Arie Wallert, Erma Hermens, Marja F. J. Peck (eds) - Oxford University Press
Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, etc.
by Nanae Momiyama - Japan Society
Sumi-e, or ink and brush painting, must be discussed in terms of the religion and philosophy it expresses. Sumi-e was the art of Zen priests, it is thus an expression of Zen Buddhism, a religion of selfdiscipline, concentration, and contemplation.