Tone Relations in Painting
by Arthur Upham Pope
Publisher: Harvard university press 1922
Number of pages: 88
This pamphlet, a large portion of which ia typewritten form has been in use for several years, has been written primarily for the needs of the students in the courses in drawing and painting in Harvard University and Radcliffe College; but as an elementary statement of the theory of tone relations, containing also a certain amount of new contribution to the subject, it may be of use to others.
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by Edward Armitage - G. P. Putnam's Sons
The book contains chapters on ancient costumes, Byzantine and Romanesque art, David and his school, modern schools of Europe, drawing, color, decorative painting, finish, choice of subject, composition of decorative and historical pictures, and more.
by Thomas M. Messer - Solomon Guggenheim Foundation
Messer dissects the elements of modern painting for an uninformed audience by describing basic tenants of modern painting. The intended audience consists of museum visitors who find themselves unprepared for the new language of contemporary art.
by Arie Wallert, Erma Hermens, Marja F. J. Peck (eds) - Oxford University Press
Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, etc.
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Probably the most interesting moments of the trip abroad by the architectural students are those spent in sketching bits of interest in water color. Nothing is so helpful, so reminiscent as these same notes of color when viewed in alter years.