by S. L. Bensusan
Publisher: T.C. & E.C. Jack 1909
Number of pages: 106
Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of color, would exercise a profound influence not only on painters of the Italian Renaissance, but on future generations of Western art.
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by S. L. Bensusan - T. C. & E. C. Jack
Before Velazquez even artists forget their controversies; he stands, like Bach and Beethoven in the world of music, respected even by those who do not understand. He has marched unchallenged to the highest place in men's regard.
by George B. Bridgman - Pelham, N.Y.
Learn how to draw the human figure with the practical and effective method made famous by a leading art instructor. Bridgman simplifies complex anatomy problems into simple structures before exploring the muscle patterns into more complex detail.
by Nanae Momiyama - Japan Society
Sumi-e, or ink and brush painting, must be discussed in terms of the religion and philosophy it expresses. Sumi-e was the art of Zen priests, it is thus an expression of Zen Buddhism, a religion of selfdiscipline, concentration, and contemplation.
by Edward Armitage - G. P. Putnam's Sons
The book contains chapters on ancient costumes, Byzantine and Romanesque art, David and his school, modern schools of Europe, drawing, color, decorative painting, finish, choice of subject, composition of decorative and historical pictures, and more.