Tone Relations in Painting
by Arthur Upham Pope
Publisher: Harvard university press 1922
Number of pages: 88
This pamphlet, a large portion of which ia typewritten form has been in use for several years, has been written primarily for the needs of the students in the courses in drawing and painting in Harvard University and Radcliffe College; but as an elementary statement of the theory of tone relations, containing also a certain amount of new contribution to the subject, it may be of use to others.
Home page url
Download or read it online for free here:
by David H. Rothman - Prima Communications
The Net is revolutionizing the way millions of people work, learn, fall in love, create art, do business, make friends, and entertain themselves. Rothman explores this new electronic meeting place, as well as the controversy that threatens it ...
by George B. Bridgman - Pelham, N.Y.
Learn how to draw the human figure with the practical and effective method made famous by a leading art instructor. Bridgman simplifies complex anatomy problems into simple structures before exploring the muscle patterns into more complex detail.
by Walter Crane - G. Bell & Sons, Ltd.
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject.
by W. W. Collins
Probably the most interesting moments of the trip abroad by the architectural students are those spent in sketching bits of interest in water color. Nothing is so helpful, so reminiscent as these same notes of color when viewed in alter years.