Line and Form
by Walter Crane
Publisher: G. Bell & Sons, Ltd. 1900
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a way intended to bear rather upon the practical work of an art school, and to be suggestive and helpful to those face to face with the current problems of drawing and design.
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by Charles Lewis Hind - G. Newnes
A quick study into the methods and style of Da Vinci's drawings and art. Leonardo found in drawing the most stimulating way of self-expression. The use of pen and crayon came to him as naturally as the monologue to an eager and egoistic talker.
by Mitchell Smith - F.J. Drake & co
In this brief and consistent book Mitchell Smith gives lessons that cover all branches of caricaturing. Drawings illustrate all necessary points, and each point is explained in the text. Author included caricatures of many famous men.
by Kenneth D. Keele, Jane Roberts - Metropolitan Museum of Art
These drawings of the human body by Leonardo are based on the artist's own anatomical dissections and show his evolving understanding of physiology. The drawings demonstrate Leonardo's progress from technical mastery to consummate draftsmanship.
by Lawrence Alloway - Solomon R. Guggenheim Foundation
The term 'drawing' is applied loosely; it is meant to connote a medium of great immediacy conducive to direct materialization of a concept, rather than implying the elimination of color or an insistence upon other technical restrictions.