Drawings of Leonardo da Vinci
by Charles Lewis Hind
Publisher: G. Newnes 1907
Number of pages: 132
A quick study into the methods and style of Da Vinci's drawings and art. Leonardo da Vinci found in drawing the readiest and most stimulating way of self-expression. The use of pen and crayon came to him as naturally as the monologue to an eager and egoistic talker.
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by Harold Speed - Seeley, Service & Co.
Classic approach to the dynamics of drawing by brilliant teacher with insights and practical advice on line drawing, mass drawing, visual memory, materials and much more. 93 plates and diagrams reinforce Speed's clear presentation.
by Walter Crane - G. Bell & Sons, Ltd.
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject.
by Lawrence Alloway - Solomon R. Guggenheim Foundation
The term 'drawing' is applied loosely; it is meant to connote a medium of great immediacy conducive to direct materialization of a concept, rather than implying the elimination of color or an insistence upon other technical restrictions.
by John Ruskin - eBooks@Adelaide
This book contains new illustrations and interesting notes and explanations to help students through the process of drawing. This classic retains its relevance some 150 years after its first appearance and should be on every artist's bookshelf.