Drawings of Leonardo da Vinci
by Charles Lewis Hind
Publisher: G. Newnes 1907
Number of pages: 132
A quick study into the methods and style of Da Vinci's drawings and art. Leonardo da Vinci found in drawing the readiest and most stimulating way of self-expression. The use of pen and crayon came to him as naturally as the monologue to an eager and egoistic talker.
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by Diane Waldman - Solomon R. Guggenheim Foundation
Displaying variety and conceptual advancement, this catalogue demonstrates the evolution of American artistic expression. The progression of the medium is traced through the work of Arthur Dove, Marcel Duchamp, Jackson Pollock, Roy Lichtenstein, etc.
by Kenneth D. Keele, Jane Roberts - Metropolitan Museum of Art
These drawings of the human body by Leonardo are based on the artist's own anatomical dissections and show his evolving understanding of physiology. The drawings demonstrate Leonardo's progress from technical mastery to consummate draftsmanship.
by John Ruskin - J. M. Dent
This book contains new illustrations and interesting notes and explanations to help students through the process of drawing. This classic retains its relevance some 150 years after its first appearance and should be on every artist's bookshelf.
by Lawrence Alloway - Solomon R. Guggenheim Foundation
The term 'drawing' is applied loosely; it is meant to connote a medium of great immediacy conducive to direct materialization of a concept, rather than implying the elimination of color or an insistence upon other technical restrictions.