Memory and Popular Film
by Paul Grainge (ed.)
Publisher: Manchester University Press 2003
Number of pages: 272
'Memory and popular film' uses memory as a specific framework for the cultural study of film. Taking Hollywood as its focus, this timely book provides a sustained, interdisciplinary perspective on memory and film from early cinema to the present.
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by Thomas Elsaesser - Amsterdam University Press
In the face of renewed competition from Hollywood since the early 1980s, independent filmmaking in Europe has begun to re-invent itself. This book presents a broader framework for understanding the forces at work since the 1960s.
by Thomas Elsaesser et al. - Amsterdam University Press
Identified with directors such as Sam Peckinpah, Arthur Penn, Hal Ashby or Robert Altman, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, they have also become cult films.
by Kevin Kelly - KK.org
In this book the author offers rave reviews of 150 great true films. He define these non-fiction films as true films -- documentaries, educational films, instructional how-to's, and what the British call factuals -- a non-fiction visual account.
Filmmaking is the process of making a film. The nature of the film determines the size and type of crew required during filmmaking. This manual is intended as a complete guide to filmmaking, the emphasis is on the practical.